In Stoker’s worst bit of writing so far, the intrepid
heroes are ensconced in a very important meeting about how to hunt down the
fountainhead of the impending vampire plague, when Quincy – the intrepid hero
from Texas – gets up and walks out of the room without so much as a by-your-leave.
No one turns a hair at this, and the next thing you know there’s a shot and the
window shatters. Quincy
returns and says (in paraphrase) ‘Sorry about that. I saw a bat on the window
ledge and I don’t like them any more, so I decided to shoot it. Only I missed.
Oh, well…’ And still no one turns a hair.
Now, anybody who knows a badly contrived plot device when he
sees one will naturally groan at this juncture, because he knows it’s only there
so that at some point further on, somebody can say (also in paraphrase) ‘Mein
Gott! (Which Van Helsing does say occasionally.) The bat on the window ledge was none other than Count Dracula himself,
come to spy on us!’ And everybody else can join in unison with a rousing ‘A-ha!!!’
At which point, Dracula begins to
seem like a forerunner of Winnie the Pooh. And it doesn’t quite stop there.
The Boys decide that Mina must play no further part in
proceedings, because she is but a weak and feeble woman and wouldn’t stand up
too well to the rigours of vampire hunting. And they continue to congratulate
themselves, more than once, on the soundness of their decision. In paraphrase:
‘I’m so glad we decided to leave the little lady at home.’
‘So am I; it was a good decision. We are men of the world
who have seen much, and even we will be taxed. A mere woman would be sure to
crack under the strain.’
(For once, I’m in agreement with the feminists here, but the
editor doesn’t pick it up at all. Maybe she decided it was just too blatant to
need pointing out. It is.)
So poor Mina goes home uncomplaining and retires to bed,
where she is now utterly vulnerable to the white mist that comes in around the
door frame and the white face that bends over her as she sleeps. Even those readers who can't spot a crushingly bad plot device will no doubt be getting the picture: The Boys have made a terrible mistake, but will they
learn the right lesson from it? We’ll see.
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