OK, following on from the previous post, my mood has
lightened a bit. The Golden Compass
wasn’t bad, although it suffered more than usual from the inevitable effect of
turning a long, thoughtful novel into a short film. So much essential detail was
lost that at times it wouldn’t have made sense if I hadn’t read the book.
The visuals were good, though, especially the showdown
between the two bears. Lyra and Iorek came close to the heroes I made of them
when I read the book, Lee Scoresby was perfect, and Seraphina even sexier than I
imagined at the time. (So much so that I was half tempted to wonder whether the
Holy Grail might be found somewhere in Eastern Europe.)
I just wish I hadn’t kept being reminded of the
mortification I felt at the end of the trilogy. If I were minded to assume the
right to forgive, I don’t think I would ever forgive Pullman
for what he did to Lyra, shamelessly destroying in the last thirty pages every quality
that had made her such an outstandingly compelling character. I put it down to
the fact that he’s an academic and apparently in thrall to the tram line
mentality.
And one interesting little point. I couldn’t help noticing
how much more beautiful a raggedy 13-year-old girl could look than the
excessively done up Nicole Kidman. Says something about my taste for
authenticity, I suppose. I do wonder, though, how any young woman, however
beautiful, can be expected to get through life with a name like Dakota Blue
Richards. Doesn’t sound very authentic, does it?
And finally, Sarah showed up, which helped a lot.
And finally, Sarah showed up, which helped a lot.
2 comments:
Oh good, I am pleased about that. I was beginning to think you had forgotton about her!
I think I'm going to have to start writing imaginary conversations with her again. Never get to have real ones these days. Forget? As if!
Post a Comment