It seems I knew what Douglas Adams’s bowl of petunias meant
when it said ‘Oh no, not again’ as it hurtled under gravity towards the surface
of the planet. It seems I knew I was in for a life of endlessly climbing
mountains, only to endlessly keep falling off them into a pit of sludge. And
all because I have to feel. If I don’t
feel, I suffocate.
And then I remembered the only portrait I have of me as a
baby. The eyes are cold, piercing, observant, disconnected. And I remembered my
mother telling me that my eyes used to follow her around the room, and the look
in them would give her the shudders.
I have lots of pictures of me as a young child, and it’s
notable that the only smiles I managed were mocking, artificial ones. I was
about eight before I managed to smile naturally for the camera. Maybe I was
resigned to my fate by then, because it was at that age or thereabouts that the
search for meaning, purpose, and the perfect connection began.
I never did become very good at smiling for the camera.
Cameras are things to be stared at and challenged. It was a look I encouraged
among the models who came to audition for my wife’s model agency when I was a
photographer – simply because it suited my nature. But I’m digressing.
Well, why not? This is one of those rambling late night posts where I'm
talking to myself, not anybody else, so do ignore it. And it’s more about reflection
than ego.
But, oh to feel again; to set the spark spinning madly in
the cornucopia of delights. But what of the demons which lurk there, hidden beneath the
sweetmeats? What of them?
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