‘Yes, it’s out on loan,’ I was told.
That’s the first time in my life that a book of mine has
been out on loan from a library, which is neat. Isn’t it? It is. So now I have
to decide whether my autograph should begin JJ, Jeff or Jeffrey.
‘What’s your name, my dear?’
‘Ethel.’
‘To Ethel, a woman of obvious good taste. Congratulations.
JJ Beazley.’
Neat.
Alternative Scenario:
The next time
I go into the library, James calls me over.
‘A woman took
your book out.’
‘Yes, I know.’
‘I’m afraid
she’s written on several of the pages in felt tip pen.’
‘Oh really?
What did she write?’
‘THIS IS CRAP. Any chance of another copy?’
‘James, I
have to pay for these, you know.’
Apologetic
incline of the head.
* * *
Meanwhile, back in Paris,
Robert and Sophie are escaping the police in a taxi. The driver gets a call,
and Sophie (being the brighter of the two) realises it’s about them. She points
Robert’s gun at the driver’s head and forces him to stop and get out. Then she
tells Robert:
‘Robert, you’re driving.’
(She’s so forceful, you know, so forceful. Must be all that
burgundy hair framing the warmth of her face.)
But Robert has a problem: he’s never used a gear shift and
clutch before. Well, that’s Americans for you. I think it’s about time she
threw him over and got herself a poor Englishman who’s never driven an
automatic in his life. I wonder whether I could stop off on my way back from Poland.
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