I wrote a story about four years ago called When the Waves Call. On the face of it,
the opening gambit is simply that a man called Liam meets a woman called Maire
in an Irish pub, only it’s not that simple. Liam might be just an everyday
boring Englishman, but Maire is rather more than just an everyday sultry Irish
colleen.
I realised only today that when they first meet, Maire has
very much the upper hand, and she uses the superior strength of her will to
ingratiate herself into the consciousness of the rather more diffident Liam.
But gradually things change. Maire’s strength eventually wanes and her
vulnerable side begins to show through. Liam, on the other hand, rises from the
mire of enervation and finds strength of his own. By the time Maire leaves the
bar, their energies are in balance and they each need the other for different
but complimentary reasons.
That’s a kind of structure, isn’t it? I never realised my
stories had structure before; I just wrote what came into my head. And I could go
further and ask whether this is an example of strong feminine energy being
transferred to supplement weak masculine energy (which I’ve found from
experience to be a credible proposition) in order to create a homogeneous whole
which is greater than the sum of its parts. Like a battery? Nice analogy. Like
a battery.
Well, this is a revelation! I’ve never been one to believe
in too much analysis of creative things. I’m more the ‘you like it or you
don’t’ type. Yet here I am analysing one of my own stories (and even thinking I
might be right.) Is there a doctor in the house?
No comments:
Post a Comment