In Britain
during WWI, the popular songs were full of bonhomie and jingoistic pride. They
were essentially jolly ditties put to music written in militaristic march time
and carried the message: War is a great
adventure and we’re all going to have a wonderful time being part of it. Hence the
start of maybe the best known of them:
Wish me luck as you wave me goodbye
Cheerio
Here I go
On my way
But then, a mere 21 years after the cessation of what became
known as ‘the last lot’, the next lot started while the country was still full
of middle aged and elderly people who remembered what the last lot had really been
like. They remembered the millions of young men from all sides who had died, or
been blinded, or sent home crippled, or had their minds turned into a quagmire
of nightmares, enervating anxieties, and a horror of loud noises. And I’ve little doubt that
most of them knew full well that it was all to serve the politicians’ power
games, and that the brave refrains of the popular songs were little more than
propaganda to place a smoke screen over a highly dubious and inhumane cause.
So when the next lot came around the songs carried an
entirely different tone. They were softer, gentler, still upbeat to encourage hope
for a new spring and a more peaceful future, but with a hint of melancholy
mixed in. And there was still an element of propaganda about them, but this
time it was an attempt to promote public morale rather than persuade gullible
young men that sinking waist deep in freezing mud while waiting to be visited by
violent death and dismemberment was somehow a great adventure.
Dame Vera Lynn became famous for her rendition of probably
the best known of them:
There’ll be bluebirds over
The white cliffs of Dover
Tomorrow, just you wait and see
But my own favourite is the one which begins:
We’ll gather lilacs in the spring again
We’ll walk together down an English lane
Until our hearts have learned to sing again…
That’s the connection.
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