1. I’ve mentioned here before that I’ve been fascinated by the
three-woman motif all my life. I even made a family’s banshee a group of three
women in one of my published stories. And in my one and only allegorical effort,
three women escorted the protagonist to his death prior to rebirth. (My three
women were sister, lover, priestess, which bears some correlation with the
classical and psychological interpretation of maiden, mother, crone.) I wonder
where it came from.
2. It was the view of Robert Graves, who made a study of the
subject, that the triple goddess has always been, and continues to be, the muse
of writers and poets. Might this be why I always felt that I was channeling the
stories I wrote rather than composing them, and could it explain why the better
of my ditties fell into my mind almost fully formed and required little thought
or editing? I don’t know; I make no claims or assumptions. And there might be
more on this subject at some future time, or then again there might not.
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