Friday, 7 August 2026
The Brit Priority.
Expletive Accepted.
Monday, 3 August 2026
A Modern and Mathematical Issue.
I went to have a look at it after the electrician had finished because it was completely unfamiliar in design and I wanted to know how to change the bulb.
‘It doesn’t use a bulb,’ said the expert. ‘It has an LCD panel permanently fitted.’
‘So how do I change the panel when the old one blows?’
‘You don’t. You have to have a complete new unit.’
‘Sounds expensive.’
‘It is.’
‘In that case, how long should the LCD panel last?’
‘I believe it’s about 10,000 hours.’ he replied confidently.
Right, so now let’s do the sums:
I estimated that the light in the bathroom is on, year round, for about 20 minutes a day – less in the long days of summer and more in the short, dark days of winter. So 20 mins a day equals an hour every three days. That’s step #1. Now for the calculation.
How many periods of three days are there in a year? Let’s call it 120 for simplicity. So the light is on for 120 hours per year. Is that correct? (I think so. I used to find that kind of thing very easy but my brain is older than it used to be.) Now for the big one. Let’s get the calculator so my brain doesn’t melt.
10,000 ÷ 120 = 83 years.
That seems an awfully long time to me, but if it’s correct I needn’t worry too much because it will see me out by a long way. Then again, the electrician might have been guessing. And if my logic is faulty, please, please, somebody tell me.
But now for the real problem. All the bulbs in my house are Warm White in colour temperature. The one in the new fitting is Daylight and there’s not a damn thing I can do about it. And what it means is this. Since my eyes are accustomed to Warm White, when I go into the bathroom and switch on the light, every white surface – and there are a lot of them – appears pale blue. To an ex-photographer who is very sensitive to colour, that’s irritating.
Wilding the Shire With Yellow.
Sunday, 2 August 2026
A Brief Note on Defining Value.
Adding to the Knowledge Base.
Friday, 31 July 2026
The Problem With Imagination.
I considered whether I should write it down as a piece of fiction since it had a commendable hint of Murakami about it. But you see, all the scary stuff I wrote during my period of writing scary stuff never scared me. Why would it? My imagination was, after all, just having fun. This wasn’t fun, so I probably won’t.
Serving the Cruelty Gene.
1. What kind of human being wants to watch a video of anything, especially a fellow human, undergoing the horror of being eaten alive?
2. Are these videos real or AI-generated? If they’re real, who is filming them and how? I think AI generation is most likely.
3. Why is YouTube recommending these travesties of decency to me? The only animal videos I watch are the occasional animal rescue ones if they look genuine, and that doesn’t amount to very many. And I never watch videos of people being forced to suffer in any way, so what is going on with YouTube’s algorithms?
4. Have we reached the point at which a public and highly profitable platform is allowing the production of fake and extremely nasty material clearly aimed at perverted minds, and claiming that it’s real? If these things can be allowed to exist, shouldn’t they be restricted to the dark web which, apparently, thrives on the darkest side of human nature?
I suppose the opportunity to watch this kind of thing is the modern alternative for those who used to shake with excitement at the prospect of watching some poor soul being burned alive at the stake. Will the human race ever aspire to its potential, I wonder?
Thursday, 30 July 2026
Re-Posting to Fill a Gap.
Nil desperandum, however. Something I was musing on earlier reminded me of an old ditty I posted to this blog many years ago. Though short, it’s one of the very few I might almost grace with term ‘poem’ (but only just.) The muse, incidentally, centred around growing up in an industrial area surrounded by a hundred thousand chimneys belching soot into the air (day and night during the winter.) The ditty (almost poem) never had a title, so I’ll give it one now. It’s called On Seeing a Chinese Lady Looking Wan in February.
And now I’m in the mood I think I’ll re-post the other ditty-which-comes-close-to-being-called-a-poem. This one doesn’t have a title either because I was never able to think of one. I still can’t.
If I said that this is about Egypt you’d call me puddled, wouldn’t you? (At least you would if you came from my bit of industrial England.) In that case I won’t bother.
And it might be considered notable that the last time I made thirty or more posts in one month was 2½ half years ago. Make of it what you will.
Wednesday, 29 July 2026
More Post Truth Blues.
This evening I came across a taster about the mysterious circumstances around the death of Edgar Allen Poe. I’ve heard the story from several sources, but a quick glance at the thumbnail told me something was off. It has a picture of a dark sky over an American-style, high rise cityscape, but the most prominent feature is a picture of an ageing Nikola Tesla. Why Tesla? Where’s the connection? As far as history recalls, there’s no connection whatsoever between the two. They weren’t even contemporary, Poe having died five years before Tesla was born.
So was the uploader so ignorant that he didn’t know the difference between a famous writer of gothic stories and a ground-breaking scientist? Or was he simply using a well known image to encourage other ignorant people to click on the video, which is fraudulent? This happens with images of Carl Jung a lot. ‘What Carl Jung said about…’ Rubbish. And there was a trend at one time for uploading songs credited to Enya, when nothing about the writing or performance had anything to do with Enya. People pointed it out in the comments, but the fake credit stayed.
So here’s the real question:
If Google wants to own and run YouTube for the purpose of making huge amounts of money, why do they abdicate the responsibility to exercise some control over the veracity of the information? We all know the answer to that one, of course. Truth doesn’t matter any longer, only money does. You can tell as many lies as you want to invent, and peddle as much garbage as you can find, and it’s wholly acceptable as long as it’s making money.
There is no such thing as quality literature. There are books that sell and books that don’t. ~ Margaret Thatcher.
So what do we do about this lamentable trend? Decline to watch any more YouTube? I think I might, but that would be a shame because there are genuine people out there making a living out of it at a time when the jobs market is faltering. And it’s obvious from the production values that most of them put a lot of effort into it. And some of them are genuinely informative and/or entertaining. (Try Hilary Layne’s channel for a good example.) Besides which, the protest of one little man like me wouldn’t amount to a hill o’ beans in this crazy and dishonest world. We would have to do it in our hundreds of thousands. And what about the rest of the media world? They’re all becoming just as bad.
I’m sorry to say this – truly I am – but I think America largely took us down this road. ‘Thou shalt have no other Gods before me,’ said the Great God Money. And so they don’t. (Hilary Lane is American, by the way. At least I think she is. I suppose she could be Canadian. We Europeans get easily confused by North American accents.)
