I'm currently struggling with my computer. Actually, I've been struggling with it for several years now, but whereas the struggle used to be akin to persuading the dog to stop stealing the cat's dinner, now it's more like fighting off a polar which is trying to convert me to his. It isn't easy. I've seen the polite little notice Gah! Your tab just crashed at least thirty times this evening and probably more, and I've restarted it three times in the hope of persuading the polar bear to clear off back to Svalbard.
But it is fourteen years old, and I don't suppose there's another person in the whole world who is using a fourteen-year-old computer. It's also still running on Windows 7 because it's always run on Windows 7 and Windows 7 is familiar to me. 'Oh, come on,' I hear you say, 'why don't you just get a new computer with an updated operating system?' 'Well now,' I would reply, 'there's actually a blog post in my head explaining why I haven't bought a new computer with an updated operating system. You wouldn't believe just how much there is to say on the matter. You probably wouldn't even believe some of the things I would say on the matter either. I'm a bit strange in some ways, as you might have noticed.' So let's change the subject to something simple and familiar.'
While I was waiting for my hungry polar bear to consider its options tonight I had lots of time to fill, and so I read another of Virginia Woolf's short stories. I'm not going to give a synopsis this time, just explain an issue because the contrast between struggling with a polar bear and struggling with Virginia's writing style is most marked and very wearing.
I've never read anything like Virginia Woolf (except when I read her novel To the Lighthouse, of course, when, for some reason or other, I failed to notice the difficulty. Maybe I was in a strange mood at the time. It has been known.) But the point I'm trying to make is simple enough. 'Normal' fiction generally gives you three main elements: facts, description, and dialogue, all couched in familiar, real world terms which the majority of us comprehend without too much effort (apart from Gen Z, apparently, who only want the conversations so they skip everything else. Or so it is said.)
But Virginia's writing isn't like that. You can't swim easily through the flow of a sentence and then step effortlessly into the next one. You have to concentrate carefully on every word, even the prepositions, and you also have to concentrate on her choice of punctuation because even a minor decision can make all the difference to the meaning. (I read a comment from one critic somewhere which said she made an art of the semi colon.) I'll give you an example. At one point in the story she uses the word 'was' where I felt it should have been the subjunctive 'were.' It just sounded more right that way. So I stopped reading for a few minutes and thought about it. No, she was right after all and it was my understanding of the statement that was wrong. And it's almost crippling at times, yet strangely enjoyable.
But you know what? I'm almost looking forward to the day when I can saunter off to discover the undiscovered country, as long as it has no polar bears in it, the literature is clever but straightforward, and nobody ever upgrades computers.